Band Master Chart List Management

I think it's something that you'd have to check the license for and possibly call up the licensing company and ask.
OF COURSE I did not mean to publish past someone else's copyright. I am well aware of what's allowed in my jurisdiction and what's not.

The "scanned sheet" reference was just an example of what it is possible. Think of it as Amazon's "look inside!" feature...
 
That was what scared the Department of Labor. The incredible restrictions that they placed on the use of software were bizarre to the end user, but the threat of litigation (even with the sovereign protections built into US law) prompted them all.

By the time I retired, the Labor Department IT "system" was a huge ball of restrictive conditions on use, all of which combined to make any "official" use of a computer a huge headache. I tried doing it their way for a brief time, then gave up and only used the government computer for certifying my employee's work hours.

(The truly amazing thing about it all is that one supremely misguided individual, even with all of the spyware and use restrictions, still managed to amass a huge collection of child pornography on his work desktop computer. Mind you, they caught him in the end and sent him up the river to The Joint for a long, long time. But, it took them a full year to do it, and he was only caught when someone glimpsed him viewing some during work hours. The investigation in his case was done by the FBI, and the jackbooted way that they pounced was incredibly heavy-handed - they impounded every single hard drive in the entire office, effectively shutting down the six state wide operation for a couple of days. The regional administrator at the time confessed to almost losing control of his bowels when the thing went down. No explanation was given at the time, just a court order to allow the data specialists from the Bureau to yank all of the hard drives.)

In the end, it was more cost-effective to purchase your own copy of Microsoft Word and use it on your laptop than it was to live with the weird copy protection, onerous password schema and hardware keys with the government provided version.

One area director lost his dongle when traveling, causing a major crisis since daily situation reports on an ongoing investigation were required of him yet he could not access his copy of the software. (He was too cheap to buy his own computer and software.)

An then there were the password schemes. Monthly compulsory changes, with no duplication from previous passwords and with every password over eight characters with mandatory use of upper case, lower case, numbers and special characters. Mind you, they may have kept the terrorists out, but there were many times where the intended end users were kept out as well.

In the end, I was using Japanese warship names + the year of their sinking + one special character at the end of each string. I still got locked out about once a month.

However, the great bane of music publishing companies has to be the easy availability of the photocopying machine. When I started my work career in the late 1960's, use of the copying machine was a strictly controlled thing, with each use logged on a tear sheet on the "official photocopy clipboard" and woe betide the user who put down the incorrect number of copies. And, forget about personal use of the high holy copy machine.

Now, I have a copier in my home office that does everything the quarter room sized copier at the Veterans Administration did, plus about twenty things more and all of them better, faster and cheaper. And, it only cost me $300.00.

Anybody with one of these plus the money for the toner cartridges could duplicate huge numbers of arrangements, given access to the originals.
 
Hypercard and Hypertalk

This is one program that I really miss. Apple abandoned support of the program back in the early years of this decade, and a system software change meant that it stopped working on most Macintosh system computers. Bummer.

I still hold onto a couple of old Powerbooks that run the program, although the data that I had it in has been migrated to newer systems that will hold the data, even if they are not as flexible as to how to massage it. I've kept all of the programming materials for the language, even though (in modern terms) the language is pretty well dead and buried.

I visualized a set list creator back when I started playing horns in commercial groups in the 1990's. It took all of thirty minutes to make a "click and print" program with some sample data. You'd select the tunes in serial order, then you were presented with a sample list that you could then rearrange at will. Once it was finished, you set it to the printer and that was that.
 
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