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Merlin
10-21-2008, 10:02 PM
I'm working on the reed 4 book for this show right now, and the bass clarinet parts are a bit snarky.

There's lots of bass to start with - and a low C horn is absolutely essential. The part runs all the way up to F three ledger lines above the staff at one point as well.

Gandalfe
10-21-2008, 10:39 PM
Typical braindead arranger stuff. Can't tell you how many charts I've found with low A for a tenor sax. I have rewritten stuff like that in the past and with no ill effect. But it really depends upon your director I suppose.

SOTSDO
10-22-2008, 12:56 AM
I recently ran across a low G in a baritone part. The arranger was acting as our piano player for the gig, and (incredibly) was not aware that there were only a few low G baritones in existence.

But, what are you going to do?

Gandalfe
10-22-2008, 02:24 AM
I recently ran across a low G in a baritone part. The arranger was acting as our piano player for the gig, and (incredibly) was not aware that there were only a few low G baritones in existence.

But, what are you going to do?Pass it to the tbone, right? And then go up a third or fifth maybe.

SOTSDO
10-22-2008, 05:39 AM
With any luck, I'll never have to play it again. The talent brought his own arrangements and pianist in from out of town, and it was a one shot deal.

Merlin
10-22-2008, 07:23 AM
Typical braindead arranger stuff. Can't tell you how many charts I've found with low A for a tenor sax. I have rewritten stuff like that in the past and with no ill effect. But it really depends upon your director I suppose.

Definitely not a braindead arranger...the charts are by Don Sebesky.