I play a short shank S80 D (2.5-3 Hemke or 3 Vandoren) on my alto, and have a C* (4 Hemke) and ppl love my tone on my VII, even amongst VI players.
I rarely play my C* though, and it's a large chamber C*. Yes, I had 2 C*s, one had a larger square chamber than the other - visually apparent too. One came wth my VII the other i bought shortly after as a backup - so we're talking 1980ish. (we're not talking S90 markings either, both S80s)
I also play Couf mpcs which I find very nice too.
the last couple S80s i've bought have been mangled by ppl trying to reface them. on had the facing curve going beyond the window, another extremely uneven rails ...... i don't know how they can mangle these so badly.
I rarely play my C* though, and it's a large chamber C*. Yes, I had 2 C*s, one had a larger square chamber than the other - visually apparent too. One came wth my VII the other i bought shortly after as a backup - so we're talking 1980ish. (we're not talking S90 markings either, both S80s)
I also play Couf mpcs which I find very nice too.
the last couple S80s i've bought have been mangled by ppl trying to reface them. on had the facing curve going beyond the window, another extremely uneven rails ...... i don't know how they can mangle these so badly.