Making oboe reeds for the first time
- Thread starter Merlin
- Start date
Beeswax is a really cheap and easy way to improve the chances of an airtight reed. So cheap and easy that I think it would be a mistake to omit it!
From the pictures, it doesn't look like too bad of a first attempt, but I think you can get much neater wrappings than that. It's easy to unwind a sloppy wrap or two and redo them. This will also benefit the airtightness of the reed.
Of course it's impossible to tell for sure from a picture, but something about the way the thread looks, plus the flatness at the tip, gives me a gut sense that you haven't wrapped tightly enough.
Do I understand right that you are attempting this without the guidance of an experienced reedmaker? If so, I wish you luck but I'm betting on the reeds to win!
From the pictures, it doesn't look like too bad of a first attempt, but I think you can get much neater wrappings than that. It's easy to unwind a sloppy wrap or two and redo them. This will also benefit the airtightness of the reed.
Of course it's impossible to tell for sure from a picture, but something about the way the thread looks, plus the flatness at the tip, gives me a gut sense that you haven't wrapped tightly enough.
Do I understand right that you are attempting this without the guidance of an experienced reedmaker? If so, I wish you luck but I'm betting on the reeds to win!
I may be flaunting tradition here, but it was my son's bassoon teacher's premise that you got the best seal with nail polish. She said bee's wax was for the birds (or bees), and that it had a tendency to open up the join a lot quicker than did the synthetic approach.
Nail polish is fairly common with bassoon reeds ("Duco" cement is more common), but not with oboe reeds. I suspect this is because oboe staples (or "tubes") can be reused, and waxed thread is much easier to remove than lacquered. Bassoon reeds don't have reusable parts, so something like nail polish--which, I'd say, probably DOES give a more airtight seal--is fine because you don't have to try to remove it later.
My son, a mere junior high school level bassoonist, was up to fewer than one in eight being unusable when he last played at the start of high school. I know that I could use them, however good of a gauge of that it might be.
His teacher, our next door neighbor at the time, claims to never have made a reed not worth her trouble to finish. I played a few of hers, and they were uniform and tight, the product of a very organized and meticulous mind.
One thing that I regret was never having taken the time to photograph him hard at work at the reed-making board. Head down trimming an edge, under the over-bright light fixture we installed at his request, he would work at his reeds longer than his homework.
It all ended because of 1) the school requirement that all band members be a part of the marching band, 2) the concurrent requirement of attending extra practices focused on marching band (and having little to do with either music or drill and ceremony) and 3) playing high level hockey (he's still a AA rated player, and even plays adult checking hockey up in New Jersey). So much for bassoon playing...
Me? Well, I have tried reed making in the past (converting Eb clarinet reeds to fit my single reed staple mouthpiece for the oboe, and a couple of attempts to make bass clarinet reeds). But, I quickly found out why the little oboe mouthpiece came with an envelope full of reeds - I, like many others, do not have the patience to do it right.
His teacher, our next door neighbor at the time, claims to never have made a reed not worth her trouble to finish. I played a few of hers, and they were uniform and tight, the product of a very organized and meticulous mind.
One thing that I regret was never having taken the time to photograph him hard at work at the reed-making board. Head down trimming an edge, under the over-bright light fixture we installed at his request, he would work at his reeds longer than his homework.
It all ended because of 1) the school requirement that all band members be a part of the marching band, 2) the concurrent requirement of attending extra practices focused on marching band (and having little to do with either music or drill and ceremony) and 3) playing high level hockey (he's still a AA rated player, and even plays adult checking hockey up in New Jersey). So much for bassoon playing...
Me? Well, I have tried reed making in the past (converting Eb clarinet reeds to fit my single reed staple mouthpiece for the oboe, and a couple of attempts to make bass clarinet reeds). But, I quickly found out why the little oboe mouthpiece came with an envelope full of reeds - I, like many others, do not have the patience to do it right.
Time for some followup.
I played in a concert at church. Oboe obbligato part with the choir. Used one of my own reeds. Just made another 3 on Friday, and they all work well.
I've gotten my tying much smoother. I've also been experimenting with upholstery thread instead of FF nylon.
Getting Joseph Shalita's downloadable PDF book on reedmaking has been a tremendous help.
I've gotten to the point where I'd rather play the reeds I make rather than anything I can buy - and that includes some pro quality reeds.
Total number of reeds made to date ===> less than 50.
I played in a concert at church. Oboe obbligato part with the choir. Used one of my own reeds. Just made another 3 on Friday, and they all work well.
I've gotten my tying much smoother. I've also been experimenting with upholstery thread instead of FF nylon.
Getting Joseph Shalita's downloadable PDF book on reedmaking has been a tremendous help.
I've gotten to the point where I'd rather play the reeds I make rather than anything I can buy - and that includes some pro quality reeds.
Total number of reeds made to date ===> less than 50.