I posted this on SOTW, and it went over like the proverbial lead balloon, so I thought I'd make sure to bore everybody with it.
I love hearing stories about the "behind the scenes" people who made the history of jazz and blues possible.
I'll start with one:
Mike Leadbitter and Quint Davis. Everyone in New Orleans probably knows Davis as the organizer of the N.O. Jazz & Heritage Fest, but the real story for me is that Davis (along with journalist Mike Leadbitter) saved Roy Byrd's (aka Professor Longhair) life and resurrected his career in the 1970s. Byrd was basically on the verge of death when he was "discovered" by Leadbitter--who went looking for him. And, working as Byrd's promoter, Davis brought him back to life--literally and musically--by getting him into music festivals then into the recording studio. As a result, rather than dying alone in some alley, not only was Byrd able to produce some of the greatest blues recordings of all time, but we also got Tipitina's, one of America's great live venues.
I love this music [i.e. Fess' recordings in the 70s] so much, and I think it's pretty amazing that it would never have happened without Leadbitter and Davis.
This is not a sax story especially, but if you know Fess' music, you know just how much he did to revitalize horn drenched blues with guys like Jim Moore, Tony Dagradi, and Andy Kaslow in his band.
So...who are your unsung heroes???
Peace
Rory
I love hearing stories about the "behind the scenes" people who made the history of jazz and blues possible.
I'll start with one:
Mike Leadbitter and Quint Davis. Everyone in New Orleans probably knows Davis as the organizer of the N.O. Jazz & Heritage Fest, but the real story for me is that Davis (along with journalist Mike Leadbitter) saved Roy Byrd's (aka Professor Longhair) life and resurrected his career in the 1970s. Byrd was basically on the verge of death when he was "discovered" by Leadbitter--who went looking for him. And, working as Byrd's promoter, Davis brought him back to life--literally and musically--by getting him into music festivals then into the recording studio. As a result, rather than dying alone in some alley, not only was Byrd able to produce some of the greatest blues recordings of all time, but we also got Tipitina's, one of America's great live venues.
I love this music [i.e. Fess' recordings in the 70s] so much, and I think it's pretty amazing that it would never have happened without Leadbitter and Davis.
This is not a sax story especially, but if you know Fess' music, you know just how much he did to revitalize horn drenched blues with guys like Jim Moore, Tony Dagradi, and Andy Kaslow in his band.
So...who are your unsung heroes???
Peace
Rory