I was thinking about the tuner on my C Melody sax and found myself wondering why this improvement never made it into production?
I know the argument that you can adjust the intonation using the mouthpiece position on the cork and by embouchure. But there are venues (like in the hot sun) where you really have to adjust to the extreme of the cork and the mouthpiece doesn't really fit. I know that you can use paper if you have to adjust out but moving in has it's limits too.
I know the argument that you can adjust the intonation using the mouthpiece position on the cork and by embouchure. But there are venues (like in the hot sun) where you really have to adjust to the extreme of the cork and the mouthpiece doesn't really fit. I know that you can use paper if you have to adjust out but moving in has it's limits too.